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Banding together

From BlackWhite magazine - issue 10, green thumb

Auckland Council teams up with Resene to resurrect a landmark’s heritage colour scheme.

When you are selecting colours for a project’s exterior, choosing tones that sit well within its surrounding environment is a smart strategy – but when that architecture is cherished by its community and features charming heritage details, taking a thoughtful approach to your colour palette is perhaps even more important.

Auckland Domain Heritage Band Rotunda

Auckland Domain Heritage Band Rotunda transformation

Following its recent repainting, the Auckland Domain Heritage Band Rotunda looks thoroughly refreshed and handsomely complements the colours present in its surroundings. Through the carefully considered efforts of the project team, not only are the rotunda’s surfaces ready to withstand the elements, but the reinstated heritage colour scheme also reflects the designer’s original intentions. The project was recognised with a Resene Total Colour Landscape Colour Maestro Award. Pressed metal roof painted in Resene Florentine Pink, concrete base in Resene Half Grey Olive, timberwork and poles in Resene Tana and metal balustrades, fretwork, handrails, pole rings, concrete lip and embellishments in Resene Karaka.

Nestled in the heart of Auckland’s oldest park, the iconic Auckland Domain Heritage Band Rotunda has undergone a remarkable transformation. For more than a century, the rotunda has stood as a beloved landmark, hosting performances and gatherings that have become woven into the city’s cultural fabric. But much like other structures that are constantly exposed to rain, humidity and sunlight, the elements had taken their toll.

“In its deteriorated state, the rotunda showed visible signs of structural wear and damage that were compromising its safety, functionality and aesthetic integrity,” says Fatima Castro, Senior Project Coordinator for Auckland Council’s Parks & Community Facilities Department Project Specialisation Office. “Over time, exposure to the elements along with the natural aging process of its materials had led to the degradation of various components of the building. The renewal was necessary not only to address these physical issues but also to preserve the historical and cultural value of the rotunda.”

Originally designed in 1912 by a city engineer, the Edwardian-style rotunda doesn’t skimp on charm. But at some point, the colour scheme was changed to a predominantly grey palette and many of the architecture’s features faded into the background once they were no longer accented with contrasting paint colours. In addition to restoring the rotunda’s physical integrity, Auckland Council investigated if they could also pay homage to the project’s heritage by reinstating its original colour scheme.

Historical archives - rotunda

Finding the original colour intentions from the historical archives

The project team looked to historical archives to dig deeper into the structure’s history and learn more about the original colour intentions. They discovered a photograph from the 1913-1914 Auckland Exhibition, showing a smartly dressed crowd gathered around the rotunda as a band performs. They also found a watercolour render from the original design drawings, which showed the earliest planned colour scheme. “Resene Half Grey Olive, Resene Tana and Resene Karaka were primarily selected by matching colour samples, with minor adjustments made to ensure alignment with the original concept and consistency across the overall design. The colour for the pressed metal roof, Resene Florentine Pink, was chosen based on the watercolour design concept as well as its ability to harmonise with the other colours in the scheme,” explains Fatima.

During the research phase, preliminary paint scrapes were conducted, and it was discovered that a number of distinct colour schemes had been applied to different components of the project over the rotunda’s lifespan. While the main columns, fretwork and balustrade were readily accessible for examination, accessing the roof covering to assess prior colours proved challenging. The project team dug into the archives to see what could be uncovered and found some enlightening plans, watercolour renders and historical photographs that provided valuable insight into what the structure’s colour scheme looked like when the rotunda was first constructed.

top tip  Heritage projects often have less than perfect surfaces. Lower sheen and matte finishes, such as Resene Lumbersider Low Sheen, Resene Lumbersider Matt and Resene AquaShield mineral effect, help to hide surface imperfections in older surfaces.

“In adherence to contemporary conservation principles for historic sites, our selection of Resene colours and products is a testament to our dedication to authenticity. Our colour scheme draws its essence from the rich history embedded within the original watercolour plans. These plans, meticulously preserved, served as our guiding light – reflecting not only the Edwardian era’s aesthetic sensibilities but also embodying a commitment to honouring heritage and architectural integrity. Each hue was painstakingly chosen to echo those envisioned more than a century ago, evoking nostalgia while resonating with timeless elegance. In essence, our colour scheme isn’t just a visual palette; it’s a narrative woven from the threads of history, a homage to the past and a promise to preserve the legacy for generations to come,” says Fatima.

Since watercolour paintings – especially older ones – have a subdued and inherently desaturated quality to them, the project team used a considered approach to selecting opaque Resene paint colours that would capture the same spirit.

Rotunda before transformation

Prior to repainting, the Auckland Domain Heritage Band Rotunda was looking tired. At some point during its maintenance, the colour scheme had changed to a predominantly grey palette and many of the architecture’s charming details were no longer accented with contrasting paint colours.

 
 
Thanks to the project team’s painstaking research, the rotunda offers a fascinating look at the careful process of meticulous research in the spirit of heritage conservation that both honours the Edwardian structure’s history and preserves it for the future.

“Directly matching the colours in the paintings one-to-one wouldn’t have been practical, as it overlooks the broader context and intent behind the original design. We needed to capture the overall feel and style that the original designers intended to ensure that the outcome reflected the same vibe, rather than attempting a precise colour replication that may not align with the original artistic vision. Our Resene representative thoughtfully compiled renders of potential colours and the Senior Heritage Assets Advisor, Richard Bland, further ensured the accuracy of the selected sample colours by conducting a site visit to verify their suitability for the new design,” says Fatima.

“For the timberwork and poles, we used Resene Tana, a choice made not only for its aesthetic appeal but also for its durable properties, ensuring longevity amidst changing weather conditions. Similarly, Resene Karaka was selected for the metal balustrades and fretwork, providing not only a striking visual contrast but also a protective layer against corrosion and wear, thus extending the lifespan of these architectural elements. Continuing our commitment to both aesthetic and functional considerations, Resene Karaka was also selected for the timber handrails, pole rings, concrete lip and embellishments. This uniformity in colour not only creates a cohesive design language but also ensures consistency in protective measures across various surfaces,” she adds.

The process also included matching the original gloss levels. “Our choice of finishes is a deliberate homage to the craftsmanship of yesteryears. For instance, opting for a low sheen Resene paint finish on the pressed metal roof mirrors the rustic traditional charm of clay tiles, meticulously recreating the original effects envisaged by the architects of old. We also selected modern waterborne formulas to ensure the selections would be focused on sustainability and long-term durability while maintaining the aesthetic integrity of the original design. This approach aligns with current environmental standards without compromising on quality or performance,” explains Fatima.

Part of what makes the project’s heritage colour scheme so special is how it sits within the colours present in the park, with the Resene Florentine Pink roof tying in with the colour of the brick pad and pathway it sits on. The subtle greyed-off greens of Resene Half Olive Green and Resene Karaka strike the ideal balance of blending and contrasting with the tones of the surrounding trees and plantings. Whether it’s set against the brilliant blue sky on a clear day or gathering clouds, the Resene colour selections feel true to their environment. The palette behaves exactly as a well-chosen colour scheme should – enhancing the building’s character while avoiding clashing with neighbouring structural elements and the natural landscape.

“The refreshed and reinstated colour scheme beautifully complements the surrounding landscape of the domain,” says Fatima. “It creates a harmonious balance with its natural surroundings, enhancing the visual appeal without overpowering the environment. Compared to the most recent scheme, it feels more integrated and aligned with the character of the domain, offering a timeless and thoughtful aesthetic that respects both the historical context and natural beauty of the landscape.”

The talented team at Matassa Property Services completed the painting work and the pressed metal roof, which required special care, was the trickiest part of the job. “We found that due to the profile and curvature of the roof, the biggest challenge that we faced was how we could access the areas for preparation and painting without stepping on or damaging the roof itself,” says Matassa’s Business Manager Jodi Chartrand. “Working with our access supplier, we managed to erect an appropriate scaffold that protected our team from the risk of falling and allowed access to the areas for the preparation and painting process.”

did you know?  The Resene Heritage colour collection is a curated collection of traditional hues created for Resene by heritage architect Ian Bowman. It’s an ideal place to start if you’re looking to capture the hues of yesteryear on current projects. View the collection online.

Fatima’s favourite elements of the finished project are the metal balustrades and fretwork painted in Resene Karaka. “The rich, earthy tone of this colour enhances the details of the balustrades and fretwork, adding depth and visual interest. I also appreciate the use of Resene Karaka for the timber handrails, pole rings, concrete lip and embellishments, as it bonds the entire design together,” she says.

“Another standout element for me is the pressed metal roof finished in Resene Florentine Pink,” Fatima adds. “This colour added vibrancy and character to the overall design. It’s a bold yet complementary choice that enhances the visual appeal of the project, making it both striking and elegant.”

“We really like the colours selected and enjoyed returning the rotunda to a colour scheme that’s authentic to its history. While the fret and lattice work on the rotunda look great in the new scheme, the roof is our favourite element,” Jodi says. “Working with the Auckland Council project team, the Resene team and the Auckland Council heritage team was fantastic. We found that we were all aligned in the preservation of the rotunda, and we all wanted to see it returned to its original glory.”

Not only can the refreshed rotunda continue to serve as a vibrant gathering place for generations to come, but it’s also a symbol of Auckland Council’s dedication to protecting heritage, ensuring similar gems maintain their cultural legacy and endure while embracing modernity through the selection of locally-made, environmentally-sensitive waterborne paint formulas from Resene.

“This building serves as an important landmark within the community, and its rehabilitation ensures that it will remain a functional and visually appealing asset for all to enjoy,” says Fatima.

Colours and products mentioned in this article...

Testpot colours and products marked as "buy in-store" may not yet be available in our online ColorShop, however, they can be purchased at your local Resene ColorShop or reseller.

Project team: Richard Bland, Senior Heritage Assets Advisor, Auckland Council; Nina Quintana, Project Manager, Auckland Council; and Fatima Castro, Senior Project Coordinator, Auckland Council
Painting: Matassa Property Services Ltd
Images: Courtesy of Auckland Council

 

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Return to BlackWhite, issue 10

 

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